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The following three volumes were published in 2008:

Fifty Seventeenth-Century Songs

Five Cantatas by Sir John Clerk of Penicuik, Second Edition

Proceedings from the 2005 and 2006 Musica Scotica Conferences

Contents:

• Erin McPhee: “Performance Practice and Aesthetics in Traditional Scottish Gaelic Singing”
• Jo Miller: “A Fiddle Manuscript from 18th century Galloway”
• Katherine Campbell and Emily Lyle: “The Perfect Fusion of Words and Music: The Achievement of Robert Burns”
• M J Grant: “Myth and Reality in the Songs of Robert Burns”
• Peter Davidson: “Aberdeen Musical Society”
• Karen McAulay: “William Chappell and Scottish Popular Music”
• Per Ahlander: “Continental Eirope and Scotland: Marjory Kennedy-Fraser – Music Student, Lecturer and Teacher”
• William Sweeney: “The Flyting of Fergusson and McDiarmid”
• Richard E McGregor: “The Persistence of Parody in the Music of Peter Maxwell Davies”
• Michael Spencer: Dillon’s “L’évolution du vol": an evolution of stylistics or a flight from National identity?

Journal Articles in Preparation (To be published in 2009–2011):

• Defining the keyboard repertoires of William Kinloch and Duncan Burnett: A study in style and circumstance.
• The case of ‘Tell me, tell me, Daphne’: Words and music of a lost English ballad restored from Scottish seventeenth-century MS sources.
• A late seventeenth-century Scottish violinist-composer: The little-known but substantial repertoire of John McLaughlan.
• Robert Johnson’s ‘Ty the mare, tom boy’: Musical links with the Scottish medleys and the Durham medley.
• Early Scottish psalm-settings in a European context: musical, liturgical and social parallels drawn with France, the Low Countries and England.
• Beyond the early Scottish metrical psalm-settings: Some poetic versifications and their music.